Random Acts of Harping

If you’ve played the harp for any length of time you might have heard of Random Acts of Harping. Joanna Mell started it years ago. It used to be a specific day that people would randomly go out and play – in a park, at a nursing home, wherever. The idea was to make a generous contribution of your music to the world and post it to social media. Nowadays we would call it a pop-up concert!

This year she called for it to be any time in the month of June, which is a great idea, because of course there’s no one day that’s good for everyone all over the world to have the opportunity to go out and play. And I’m sure it hasn’t escaped you that it is, in fact, already June.

While I’m good for popping up unannounced and randomly to play for passersby, complete strangers, and even-stranger strangers, I’ve never been good about the social media part (doubt me? check out my social media pages – very thin).* Frankly, when I’m playing, I’m not thinking about posting or even getting photos or video. Yes, I’m just not great at having an influencer presence, it’s true. But that’s ok, because I’d rather be playing anyway.

The best things about Random Acts of Harping are that they encourage us to get out of our way, get out of our own heads, and get out into the real world. They also give us something to look forward to and an opportunity to share, even those of us who don’t have many of those come up that often.

If you’ve not done this before (or even if you have), while you’re playing be sure to look at the faces of the people that hear you. You might be surprised and delighted to see the surprise and delight on their faces and the happiness in their eyes. And, even if you typically only play for the cat and the curtains, it is truly wonderful to share music to receive that response. That alone will help you to see that it’s not about you – and how appreciative people are of the gift you make for them.

I’d like to encourage you to take part in Random Acts of Harping this year. You have the entire month remaining. It really is freestyle – the only rules are that you’re not meant to announce that will happen, just make it happen. Joanna’s facetwigram post exhorts you to “take your harp out into the world and delight the general public with its magical music!”

If you would like to be included in the Folk Harp Journal article she’ll write, snap a pic and send it with a paragraph about your random harp adventure by July 30 through her website www.joannamell.com. Remember: this is RANDOM acts of harping! And if you want to do it but don’t want to go through that rigmarole, I’d love to hear about your adventure (with or without photos!). Just send me a comment!

* It occurred to me upon editing that you might take me seriously, so https://www.facebook.com/CreativeJeniusHarp or https://www.instagram.com/jentheharper/

Finger Independence

My brain likes to think that it’s in charge. If often issues imperious edicts like, “put that cookie down” or “we’re going for a run now”. Typically, the rest of me falls in line and meekly does as it’s told (I’m looking at you arms and legs!).

But we’re musicians, athletes of the small muscles. When my brain seeks to order those little muscles around, they can be insolent. You know how it goes – the melody needs rapid direction changes and there you are with no more fingers in the direction we need to go! In these situations, the “usual” straightforward fingerings just won’t work. And in response, those small muscles don’t just balk, they rebel!

One can hardly blame them – they’re scared because the brain is asking them to do something they’ve never (or rarely) attempted (and typically with very little time to get there). It can get nasty with the brain becoming more strident while the fingers cower like sheep becoming paralyzed with fear. Poor fingers need to move in weird combinations or odd order of play.

Those fingers would be less afraid if they were strong, independent fingers! So, how do we help them gain that independence? Nothing a little exercise can’t fix to build strength, confidence, and most importantly, independence!

If you’re tired of reading (or think this doesn’t apply to you) go crack open Grossi, Richards, or Salzedo and prepare to sweat! But this is a little different, so hang in there with me!

Still here? Cool! We’re going to do two sets of exercises, but first you need this chart and two dice:

I know it’s intimidating – but hold on! Roll the dice to find the part of the chart you’re going to use – one for the row and the other for the column (if you roll two 6’s you can pick any column!).

Put your hand on a table, fingers curved – like you’re going to drum them on the table or like you’re typing. Now, tap your fingers in the order listed in the cell you have identified – lift each finger off the table in turn and put it back down. Go slowly, gently, in control, relaxed. Fingers follow our usual harp playing (1 = thumb, 2 = index, etc. and 5 is your pinky (even though we don’t play with it, it still needs to be included). Keep your wrist off the table in a neutral position. Relax. No, really – relax all of you, your fingers (obviously), your hands, arms, shoulders. Breathe.

Start by setting a time for about 15 seconds and work your way up to the entire table. Build slowly and focus on keeping your hand relaxed with your fingers moving (and changing) smoothly. When it becomes effortless – then you can add more rows or go faster. Start with each hand, then progress to both hands doing the same order.

I cannot stress enough – stay relaxed and in control. This is not about speed but about focus and on building that finger independence. You want each finger to move on its own without the others moving at all (this might be more challenging for some fingers than others).

When it becomes easy, move on to the next step – chose one order for right hand and another order for left hand.

Relax – it’s not Rocket Surgery – it’s more challenging!

Now, the next level, which is actually easier! Don’t move to this until you can do the previous exercise easily. Move to the harp. Same idea but we need a new table (since we don’t play with the pinky).

 Finger Order on the Harp
 1234
11,2,3,42,1,3,43,1,2,44,1,2,3
21,2,4,32,1,4,33,1,4,24,1,3,2
31,3,2,42,3,1,43,2,1,44,2,1,3
41,3,4,22,3,4,13,2,4,14,2,3,1
51,4,2,32,4,1,33,4,1,24,3,1,2
61,4,3,22,4,3,13,4,2,14,3,2,1

At first, simply place and move your fingers to tap the strings. This is a new task (even though it feels the same). Relax, go slowly, build up. Only when you can do that easily, then you’ll play.

This is all about independence and control which we can build and develop by staying relaxed and focused. As Marcus Aurelius might have said (had he been lucky enough to play the harp) “I don’t have to like it, I just have to do it.”

Being able to control your fingers independently will stand you in good stead in all types of tunes and all manner of arrangements with sticky wickets. Give this a go and let me know how you get on. If you’re more advanced and think you have this licked, try it, and let me know how it goes! I am also interested in how frustrating (or not) you find it so please share your thoughts – let me know in the comments!