Category Archives: Teaching and Learning

Hang out with people who play better than you do.

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Every once in a while it is gratifying to be the most accomplished person in the room.  But the good news that it doesn’t last!  There is a lot of pressure on you when that happens.  So, the remedy is to hang out with people who are more accomplished than you are – or as we say colloquially, people who are better than we are!

Why? Because research shows that hanging out and playing with people who are better than you are will raise your game and help you develop.  Playing with them makes you be better because you have to work hard to try to keep up.

 

Those better players may be other harpers but it is also possible that they will be playing some other instrument.  Either way, you always have a lot to learn, so get in there!

It can be daunting (trust me, I know!) but it can also be exhilarating and just plain fun!  It is intimidating but if offered the opportunity, take it!  Don’t let your insecurity get in your way. Don’t second guess yourself or fill yourself with fear.  Take it as it comes, enjoy the time (it will be fleeting), and learn as much as you can from the experience.  Use what you learn to make yourself better. 
And when the day comes that you are the most accomplished person in the room, share with the same grace others have shown you – and make someone’s day!

Teaching is the best way to learn

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Learning tunes is one of those never-ending challenges. The matter how many you learn not only are there thousands more, but great composers keep generating new ones! Although we know we will never get to the end and learn every tune ever, we keep trying.

But what do we mean when we say learn a tune? Do we mean that we have gotten it down enough that we can (barely) keep up at a session? Do we mean we have a down well enough to play to an audience? Do we mean we have it down well enough to never forget it (by the way – no such thing!)?

We sometimes fool ourselves by thinking we know a tune cold. But, how cold is cold? If you want to know if you actually know a tune, try teaching it to someone else.
 
You may make the mistake of starting to teach the tune off the top your head. This will quickly fail you. To be able to teach the tune, you have to know it – really know it. You have to learn not just the notes, but also the structure, the phrases, how the parts fit together. You will be well served to know which pieces are in the A part and appear again in the B part. Or what motif underlies every phrase? What is the underlying theme? Where will you be going? From where?

These types of analyses of the tune will impact how you choose to teach it. Really doing this work will allow you to teach the tune more easily. And all of this is exactly what you need to do… to learn it in the first place!

This is harder than it looks

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I just got a fancy new software package. It’s perfect for me – now instead of typing on my keyboard, I just talk to my computer.  It really isn’t hard.   Except now it is.  I’m having to learn to do things completely differently. My little machine listens to me and dutifully writes down everything I say.

This is a problem. You see, I’m not used to saying aloud what I’m trying to write. And actually, it’s quite challenging to write while you’re talking – this is very different.  When I’m typing it just comes out.  I can correct it on the fly (of course when I’m typing the computer isn’t trying to guess what I said or how to spell it either!).  So, I am going to learn how to do something new. It’s a lot harder than I thought it would be.

How many times do we think this when we’re learning a tune? We think it should be easy. It’s an easy tune. Everybody else learned it really quickly. It’s not that complicated! I should be able play this. 🙁

 

And yet sometimes we run into tunes that make us do things differently. Sometimes what is easy, isn’t. It might look easy on paper. It might have been easy for the person next to us in the workshop.  But it’s just not coming together for us. We’ve all been there – we don’t like being there, but we’ve been there. And so what are we supposed to do?
 
Here are three things we can do to make it easier (whether it’s learning a tune, or how to type by talking):
 
1. Take it slowly. Whether the tune is simple or if the software says you can use it right out of the box, we need to give ourselves the time to absorb what it is were trying to learn. Zorching off as fast as we possibly can, because “it’s easy,” just makes us frustrated. Take your time. (Yes, I am always exhorting you to slow down…because, usually, this is the solution!)
 
2. Think –  what about the tune is challenging. It’s not likely the entire thing is hard for you. It is more likely that there is just one thing that you’re struggling with. Take the time to examine what’s giving you a hard time and see if you can parse that into smaller elements that you can work on independently. Once you have those down, fit it into the rest of the music – slowly.
 
3. Quit worrying about whatever everyone else is doing. I saw recently a really good quote that said something about never forgetting that you only see other people’s “highlight reels” while you focus on your own “bloopers”.  Mostly people won’t own up the having a hard time…they’re too worried about what everyone else will think…but really – no one else cares. So forget the litany in your own head about how you’re never going to get it and realize nobody else will admit that. Get over it and get back to work.

Off to OSAS

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It is Ohio Scottish Arts School week!  Always a great week –  playing tunes we have learned before, learning new ones, staying up too late, practice, jamming, and a lot of laughter! 

Each year we look forward to a week of learning from amazing tutors – this year is no exception with Corrina Hewat and Abby Palmer, Sue Richards Ann Heymann and Charlie Heymann bringing their unique perspectives and experiences…and wonderful tunes!  It’s difficult to not be effusive! 

And there is the broader view, sharing and hanging out with other harpers as well as fiddlers, dancers, pipers, and drummers.  What looks like a fun jam session will also be a full rich opportunity to learn skills all musicians need, to practice musicality, adaptability, and flexibility.

Start of last year – photo unceremoniously pinched from Steve Schack, a fellow OSAS alum
(http://stevetheharper.blogspot.com/2012/06/ohio-scottish-arts-school-day-1.html)

If you’ve been to OSAS before but weren’t able to come this year, be there in spirit by playing through the tunes from your summer and brush them up and remember the great times you had. 

And if you’ve never been before, I sure hope you figure out a way to work it into your schedule next year.  It is not just a learning experience but also just  FUN!

I’ll trying to remember to take photos to share with you – but sometimes I get too caught up in the fun so no promises!  Thanks for understanding!  See you soon.

Put it in writing

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There are all kinds of way to mark your progress as you practice and develop.  And it is important to do that marking – you should be able to look back at your development and see your progress.  We have talked about recording yourself so you can hear your progress but you might want to consider capturing your development in other ways.

If you work from printed music you have many opportunities to make notes.  Use a pencil – you might want to come back to the tune and do something completely different in the future.  Mark all the challenges you meet – fingerings, lever (or pedal) changes, dynamics, expression and phrasing – all of these will help you work through the music and will also serve as documentation of your ability to play it when you were working on it.  Always use a pencil so you can make changes as you become more capable and experienced.   For instance you could start a practice and performance journal.

If you learn your music aurally there is still a lot to note – make yourself a list of tunes you are working.  This will help you make sure to practice everything – rather than working some tunes to perfection while forgetting about others.  Once you know a few tunes, you’ll be amazed at how fast you forget what you know or what you are learning.

No matter how you learn your music, make yourself a journal.  Write yourself notes about your practice.  Write down what is going wrong.  Note what have you tried.  Jot down what went right.  Be sure to include notes about what do you want to try as well as writing out how are you going to go about learning these new things. Also note things you still want to learn.

Document your progress, inspire yourself – be nice!  And don’t forget to read your journal.  Review your notes and your progress.  And since you know you’re going to be reading – be encouraging so you can learn from yourself.

Did you get what you came for?

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I’m still on a high from the Washington Area Folk Harp Society Getaway that was held at the beginning of the month.  It was well executed and brilliantly taught.  The only negative comment I have is that the instructors were all so good and had so much great stuff to share that I had a really hard time trying to select which workshops to attend!

Workshops and other learning opportunities are like that – there’s so much to learn and so little time to learn it all.  The number one thing we have to do to really get the most out of a workshop is to be open to learn whatever the tutor is prepared to teach.  

That can be quite a challenge.  Don’t let these things get in your way:

  • Sometimes you’re not ready to learn what is on offer.  Just because you’re not ready doesn’t mean that you won’t learn something useful.
  • Sometimes you don’t have the ability to keep up – don’t get focused on being frustrated at what you can’t do yet, but rather focus on the concepts that are being shared.
  • Sometimes you just can’t keep up – again, don’t get frustrated.  And believe the instructor who says it’s ok if you don’t get it all right now – you have time later to come back to it.
  • Sometimes you don’t understand what was being said.  It is really hard to learn concepts if you don’t have the vocabulary yet.  Of course, the best way to build your musical vocabulary is to learn what things mean be being taught.
  • Sometimes, it just isn’t a good time to be learning – if you’re tired, stressed, or focused on other things – just sit in the workshop and absorb.  And enjoy the social aspect – nothing wrong with that!

What I find interesting though, is how much I have learned – even when I thought I wasted my time (and the instructors!).

I often say many things when I’m teaching – I talk a lot!  I have a lot to share and I want to give it all to the students!  I can tell by the looks on people’s faces if they understand what I’m saying (and when they do not).  And I typically tell them that it is ok to not “get” what I say – just listen.  All that good stuff is going in. Even if you don’t understand what is said.  Or you understand the words but don’t know what to do with the information.
Just hang on to that knowledge.  When you’re ready it will suddenly become clear – what it meant, how to use it, why you didn’t get it until now.
And don’t be frustrated if you leave thinking, “I didn’t learn a darn thing I wanted to!”  You have learned more than you know.  Sometimes you’re not ready to learn what you think you want to learn and what you did learn will prepare you for what you were looking for.  Sometimes what you are looking for (or what you think you need to learn) is not what you really needed to learn.
And why did you go to the workshop anyway?  Oh, that’s right, because someone who knows more than you about your chosen avocation came to share something with you – maybe in this instance you didn’t actually know best?
I wish I could impart to you how many times I have been sitting at my harp and have an “a-ha!” moment when something I didn’t understand just fell into place – and the sun came out and the rain stopped and I was brilliant!  That’s exactly how it feels.
Until that time, keep going to workshops, learn from the people you admire and like, take it all in, listen.  And go home and work…and wait for the A-HA!  to hit you.

Off to Summer Camp

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Harp Camp that is!

This post will be short – I’ve packed and gotten ready and I am leaving for southeastern Pennsylvania for Harp Camp. I am so excited – looking forward to a long weekend of great music, learning, and sharing.

We’ll be focusing on working with fake books as well as our usual collection of interesting, different, unusual activities to ensure a wonderful learning experience.  

I hope you’ll consider joining us next year!

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Corrina Hewat has sent me this – I hope you seriously consider participating in this year’s Harp Village in Cromarty.

The Harp Village 2012 will take place in Cromarty, Scotland. It will start Friday September 28 and runs through Sunday Sept 30th 2012. Tutors this year are Maire Ni Chathasaigh and Chris Newman, Corrina Hewat and Dave Milligan and the Duplets -Gillian Fleetwood and Fraya Thomson. They will perform in a Dazzling Duos concert on the Friday night. Harp workshops will be held throughout the weekend for all ability levels from beginners to intermediates and beyond. In addition, there will be a masterclass with Maire and Corrina on the Saturday night followed by a harp session led by the Duplets.

Application forms are now available from the website: http://www.cromartyartstrust.org.uk/the-harp-village-2010.asp 

What a great opportunity!

The week at OSAS

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I am at OSAS, busy meeting new people, seeing old friends, teaching as well as I can, playing as much as I can muster, trying to learn new tunes, and not sleeping enough! 

This is a week of scintillating learning, sharing, laughing, playing, sessioning, dancing, and hanging out with other harpers as well as cool people who play fiddle, dance, play pipes, drum, and play assorted other instruments.  Fortunately, although I’m running around like crazy, Sara Walthery has very graciously created some photo collages:

If you’ve been to OSAS before but weren’t able to come this year, dig out the tunes from your summer and brush them up and remember the great times you had. 

And if you’ve never been before, I sure hope you figure out a way to work it into your schedule – it is WAY too much:

  • Fun
  • Learning Tunes
  • Playing
  • Playing the Harp 🙂
  • Learning Tunes
  • Making friends
  • Learning Dances
  • Learning Tunes
  • Learning pipe stuff
  • Learning fiddle stuff
  • Learning Tunes
  • Jamming
  • Laughing
  • Growing

And I’ll be trying to remember to take more photos to share with you – but sometimes I get too caught up in the fun and forget I even have a camera! 

Thanks for understanding!  See you soon.

What will you do on your summer vacation? Swananoa

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Swananoa is an event that I have never gotten to – but I am looking forward to the time that I do make the trip.  However, I have heard such great things about it that I invited Mike Conners to write the blog post this week and tell us all about it.  Hopefully he will inspire you to give it a go!


Mike learned a great deal
 from Willaim Jackson
My annual summer North Carolina harp tradition is the Grandfather Mountain Highland games near Boone (this year July 12-15) followed by the Swannanoa Gathering near Asheville (July 15-21). I have been told that Grandfather is the largest Scottish highland gathering in the world. This year’s harp leader/judge is Jo Morrison with the workshop on Friday and the contest on Saturday. http://www.gmhg.org/.

Immediately following Grandfather comes Celtic Week at the Swannanoa Gathering at Warren Wilson College. It is total immersion with some of the most noted vocalists and instrumentalists in the world. I study harp there annually with William Jackson and Grainne Hambly. Although one can register for up to four classes a day, I opt for two so I can have time to practice while I am there.  I prefer that to being overloaded with new material on the spot that I might not to get to learn when I get home. In addition to harp I have in past years enjoyed daily bodhran classes, “pennywhistle for the complete beginner” and Robin Bullock’s bouzouki class. This year I’ll take a DADGAD guitar class. Swannanoa Celtic week is the place for fiddle, flute and tin whistle, harp, fretted instruments, reeds, song and folklore, percussion, and dance. The staff/performers are friendly and accessible.

Grainne Hambly gives
a fantastic workshop

There are a variety of afternoon “potluck” classes, afternoon slow sessions directed by the guest artists, evening concerts, and literally dozens of sessions happening simultaneously outdoors all night long across campus with the Blue Ridge Mountains as a backdrop; complete with a snack cart, wine and local craft brew beer truck, vendors hall and hundreds of great Celtic musicians to listen to and jam with. Continuing education credits are offered for teachers, the food is great, and the instruction outstanding. Can you tell I’m excited about the upcoming Swannanoa Gathering? Here is a link to a PDF of the Celtic Week catalog. http://www.swangathering.com/catalog/cl/celtic-week.html