While it is not as threatening as to need signal lamps for one if by land and two if by sea, the holiday season can be very stressful. With the buying, wrapping, giving of gifts, the baking, the visiting, the housekeeping, the hosting, the social events – they all pile up. And if other people know you play the harp, add the stress of preparing for holiday gigs and the need to have a completely different seasonal repertoire.

It is a dangerous time – so be careful out there. Whether you’re booking gigs every day with multiples at the weekend or being strong-armed into playing for relatives after the Christmas (Chanukah, Inti Raymi, Yule, Lenaea, Pancha Ganapati, Yalda, Brumalia, Festivus, Holiday No 11 or another winter celebration not listed here) feast – make sure you’re ready.

And if you’re not ready to play – or just don’t want to – say no. If you think you’re not capable of this, remember that everything, even saying no, gets easier with practice.

But most of us do want to play – whether its work (and if you’re fortunate enough to book a gig every day until Jan 2nd – good for you!) or being the embodiment of a Victorian Christmas card and entertaining family and friends after dinner. Regardless of the number of times you perform this season and irrespective of your level of development as a musician – you must get ready!

Over the next few weeks we’ll discuss how to be ready successfully – while minimizing your stress and your injury potential and maximizing your enjoyment and performance.

And don’t forget, coming to Scotland with us for Music in the Highlands and Islands Tour makes a fantastic gift and fits everyone!

We all want to grow (I don’t mean taller or around the middle). We are typically not satisfied to simply maintain what we have achieved – we want to become better. We don’t like to stand still.

It is said that the only way to grow and develop is to be challenged. Another way to say challenged is to say “scared”. We can use our fear to help us grow and develop. We have to cultivate our Fear Factor.

One way to experience the fear of challenge to achieve that growth is to make ourselves uncomfortable. Try something new. Do something different. How different, new, or uncomfortable? We’ll that’s up to you. What is new, different or uncomfortable? It could be a new piece of music. It could be a new style of music. It could be a new instrument. It could be practicing at a different time of day. It could be learning to foxtrot. It could be deciding to run a marathon. It’s your fear and your desire to grow – you decide the size and shape of the challenge.

Any challenge that is within your ability to take on will make you feel alive (whether its scaling Mt. Humongous or speaking to someone you do not know). And of course, the more often you challenge yourself (in large and small ways), the easier it becomes to surmount the fear and take on the challenge. (See, even taking on your fear takes practice!).

It’s up to you – you have to know yourself and then decide the best way for you to add a challenge to your life. Are you going to let fear keep you from achieving your best performance? To keep you from playing that arrangement? To keep you from composing that tune? Why would you? Leverage that fear and take on the challenge – and watch yourself grow! And let me know – I’d love to hear from you.

It’s that time of year – the beginning. 

And so we sit at our harps with every intention to spend more time practicing, play more, enjoy more, perform more, arrange more, learn more, master more…but how? We think we will improvise our time – that we’ll figure it out as we go. And we state our approach as simply I’ll find more time.

But this is one instance in which improvisation will not work. To accomplish anything we have resolved, we have to have a plan. We have to perform some Goal Setting.

I do this every year, personally and with my students. And to help make it real, we write it down. And we check on it periodically throughout the year. We monitor our progress toward our goal – mostly to see how we’re doing. And later on in the year, this monitoring is even more to see what we thought was important. What, at the beginning of the year, did we think was important that we have subsequently forgotten. This let’s us focus or resolve our resolutions – to modify our goals. Or to review them to see if they were reasonable.

Goals don’t have to be set in stone.  They are just a way for you to remind yourself, periodically, what you resolved to do and how you set about getting there.  There is nothing special about writing them down, although this does give you a reference later on when you’re wondering why you’re bothering!  Its just an aid to remember where you’re trying to go and how you thought you might go about getting there.

Setting goals is just like looking at a map – it helps remind you where you were trying to go, but what looks like it will work on the map is just a representation of the path – it isn’t the path itself. ..remember, it’s the journey. See you there!

Happy New Year!

It’s that time of year again.  You know the time – when all you play is music everyone knows.  Unfortunately, we only play for about a month so it doesn’t get as much practice as we might like!  Very nerve wracking!  If you make a mistake everyone will know it because they are so familiar with the tunes.  That puts a lot of pressure on you.

But that everyone knows the music is exactly what makes this repertoire so much fun!  You can insert “jazz improvisations” (in my studio we don’t make mistakes in performance, only jazz improvisations)  into the music (planned or unplanned). But even better, this is a great opportunity for you to start to make the easy leap to generating your own arrangements. 

If you are skittish about doing your own arrangements, you might start by staying very close to an existing arrangement (many people would consider this still their arrangement – but the important thing here is to start to flex your arranging muscles in a safe way). You could use lead sheets to let yourself go.  Or, as I noticed I was really doing this year, you can just work on those little jazz improvisations building them into your own arrangements. 

Because, let’s face it, much of the music of the season has a tendency to be trite. If everyone plays all the same tunes in the same way in the same arrangements, how will you every stand out (and not go barking mad)? Easy – amp up your own arrangements!

And don’t forget to note how you amp those arrangements up – you could use them again next year! 

Some of us make a living, or part of our living by playing the harp for money, as often as possible. 

But many of us are perfectly happy playing in our living room, very quietly, when everyone else is at school or at work or asleep.  Now, I’m not saying that you must be out performing, but…

What is holding you back? 

Do you spend a great deal of your practice time (or other time for that matter) telling yourself you’re not good enough to perform for others?  Do you tell yourself that you’re not any good at playing “that thing”?  That you’ll never get good enough?  That you shouldn’t even bother trying to get better or even practicing?

We all provide a running critique of our performance of all our activities, but for some reason, many people let that critique hold them back from the things they love.  Are you one of them?