Monthly Archives: October 2021

How to Never Run Out of Things to Practice

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Do you ever have that feeling like you’re casting about trying to decide what to practice?  You know you should be practicing, but maybe you don’t know what to work on.  Even if you have a teacher who helps structure your practice time, do you feel hesitant on where to start on other stuff outside your lesson?

No?  It’s just me then?

Yeah, I didn’t think so.

Never Run Out of Things to PracticeIt can be a little challenging to think of what to practice, especially at those points on the calendar (like now) when we know we should have already started on holiday repertoire (but maybe haven’t).  Or at the end of the year when you’re staring into the abyss of the upcoming year, but not knowing what you might want to come out of it with.  Or thinking about the upcoming competition season and preparing to perform, but not being ready to buckle down.

There are all kinds of reasons that we can be a little stumped on what to be practicing at any one point in time.  And if you’re an externally motivated person (that is, if you need something or someone outside of yourself to get you kicked into action), it can be very difficult to determine what you should be practicing, which can lead to procrastination….or worse, just not practicing!

So, this week, a few ways to help ensure that you never run out of things to practice!

1. Keep track of what you’re working on, how long you’ve worked on it, and your assessment of your progress to date. Why yes, this is just another thinly veiled suggestion that you keep a journal, but it will help you keep in mind what you’re working on right now (and how well it’s going) as well as whether you need to keep working on it.  It also gives you an idea of which tunes might need to be parked so they can marinate for a little while (that’s fancy talk for “put it away and bring it out again later”).

2. Keep a list of tunes you would like to play. Just note them down, preferably with as much detail as possible (title, composer, anything else that helps you find it later). You can’t possibly learn all the tunes at once, so you will be well served to write down the ones you’d like to learn…later.  Don’t worry about it getting too long – you can always add to it, or cross titles off as you go along (and you get the added bonus of crossing titles off as they move to your “learning” list! and you begin to practice them).

3. Focus on what you’re practicing now. When you’re practicing, don’t think about what you’ll practice next.  Think about what you’re practicing now.  Save thinking about what you’ll do another time…for another time… and actually practice while you’re practicing. If you have a great idea while you’re practicing, jot it on your list of tunes you’d like to play and then get back to your originally scheduled practicing.

4. Make connections between music you already know and that you have to learn. It is always useful to be a thinking musician. It’s an illusion that great musicians just sort of channel stuff.  They are actively involved in the music they play.  They analyze the music.  They don’t let it just wash over them!  Thinking about what you already know, what you’d like to learn and how they’re related will help you find tunes you like and will make practicing easier (because similar patterns will be easier the second time and even easier the third, etc.).

5. Be curious. It’s all well and good to know what you like and play that, but be curious about it – what is it about the music you love that captivates you? How far away from the exemplar can you go and still love it?  What other music has those same traits?  Does it appeal to you, and will you learn it?  Being curious means you’ll find new things to play in places you wouldn’t necessarily look which not only broadens your repertoire but also will expand your thinking.

6. Refer to something you practiced before. Why yes, you can always practice something you used to play to death but haven’t in a while.  Keep those oldies but goodies in your hands and in your memory so they’re ready to go when you are!  Those tunes are, after all, the core of your repertoire.

Don’t be left feeling like you don’t know what to practice or how to get started. These six simple steps will help you pull it together so you can never run out of things to practice.  What else should we add to the list?  Let me know in the comments –

Harpa 2021 – HARPAntics in Western North Carolina!

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Harpa have been having a fantastic time visiting Western North Carolina!  This year, Harpa is Donna Bowers Bennett, Martha Hill, Therese Honey, Sue Richards and me.  We have been delighted to share in three concerts and a church service at First Presbyterian Hickory.  We have one more concert coming up but right now we’re enjoying a little down time.  We’ve been sharing tunes, laughing, seeing sites and creating.  This week on the blog, we’ll be light on words but photos instead! I, as usual, don’t even remember that I have a camera in my hand.  All these photos are graciously shared by Donna Bennett,Therese Honey, and Martha Hill.  Here we go:

We gathered and immediately started talking as well as planning what we would play!  This, of course, lead to rehearsals and related down time.  Our first concert was at the Ashe County Civic Center to a great audience…and an awesome green room!  We had a blast and an excellent start to our tour.

Fixing to go onstage, we have time for a selfie! Therese is an excellent selfie-starter!

Sound check was quick and smooth with Mike the sound guy. No one ever thanks the sound guy enough.

We stopped for dinner somewhere that had Cow Tails – well known to Marylanders (and former residents) but new to some.  We marveled at the wording of the ingredients – they are highly refined, just like we are!

The next day we were in Black Mountain to play at the Black Mountain Arts Center, sponsored by the Arts Center – another lovely facility with a really warm audience. We spent the day enjoying the town of Black Mountain but we didn’t collect photos.  Everyone was being like me, in the moment, not in the lens!

That evening the weather changed and we had a lovely wind symphony…all night long.  However, the best thing about changeable weather is: rainbows and Donna capturing harps in nature:

A rainbow is always a good sign (at a minimum it means we’re not moving harps in the rain!)

Preparing in First Presbyterian Church in Hickory NC

So, Sunday dawned glorious and we headed to First Presbyterian Church of Hickory where we played the Gathering, Prelude, some of the hymns, and Postlude.  There were a delightful group.  Here we were preparing and warming up while the choir also made ready. After a bit of lunch we headed to the SALT Block Auditorium in Hickory to play a fundraiser in support of and sponsored by the Western Piedmont Symphony.  Another excellent facility and audience.

We really enjoyed playing in Drendel Auditorium

We have one more concert at Morning Star Lutheran Chapel in Matthews, sponsored by Morning Star Lutheran Church Wednesday evening.  If you’re in the area – come out! 

I always have so much fun on our Harpa trips – playing and having shared time, missing our Harpaniks that haven’t been able to come this time…and planning our next outing!  Where will go next?  Remains to be seen.  There is a video of us playing in Hickory and as soon as I have a link, I’ll share it!

Travel on my mind

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Since we celebrated World Tourism Day before, travel has been on my mind.  Ok, that’s not entirely true, because travel is         a-l-w-a-y-s on my mind!  I should have a little framed cross stitch like this:

But anyway.  While traveling is always fun – especially if you are not one of those passengers who scream at Flight Attendants, Gate Agents, or other passengers – traveling with your harp does have some challenges.  I talked about some of those here and here.  Those have to do with the transport of your harp.  This week, let’s talk about when you get there.

Because while 99.999% of the 7 billion people on the earth l-o-v-e the harp, the remaining 0.001% will be booked into the room next to yours.  Never fails.

I should start by pointing out that I have played on the balcony of my hotel and thereby met new, interesting and interested people.  Just like if you’re playing at home, few things draw people to you like playing your instrument and sharing your music. 

However….and I learned this the hard way, sometimes people are not so happy to learn you play an instrument.  Once, I was in Memphis TN (yes, known as a music city) with that powerful sound generator, my Harpsicle – when someone called the front desk to complain.  Yup, it happened.  Funnier – someone else was practicing the bagpipes in that same hotel…some people’s kids.

So, keep in mind that quiet and discretion are important while staying in accommodations like hotels, motels, and B&Bs.  But how do you get quiet and still get to practice or play?  Here are a few ideas:

The first is a physical intervention. Weave a scarf or tie between the strings. Push it close to the soundboard.  This acts as a muffle and therefore makes your playing quieter.  Don’t put off selecting your scarf for the last minute – the scarf (or tie) needs to be long enough to run the length of the strings.  It also needs to be narrow enough (for a scarf) or thin enough (if you use a tie) so that it doesn’t bunch up (which results in too much “thup-i-ness” that I find distracting). This is not as easy as using your hat to muffle your trumpet, but it is infinitely better for the harp (after all, we’re not playing the trumpet and I’ve tried waving my hat in front of the harp, but it didn’t make it any quieter!).  I wish I could tell you I thought up this tip but I learned it from Therese Honey.

The second method is to use a musical technique. This one seems to be tricky – just play more quietly!  You might have seen this marking before –

pppp

But have you ever tried using it?  Ok, now I’m being a bit snide.  Dynamics are a thing… and you can use them in your practice.  You could play as pianississimo as possible and see what happens to your playing.  You can also do this at home, no need to wait to be booked into a hotel.  There are some things that happen when you play quietly.  You will be able to play slightly faster (yup).  You may be more accurate – because you’re being careful.  You may find that you even have time now to close (whodathunk?).  And because of all that you might find that, overall, you’re just playing better.  In addition, learning to control your volume will make you a better musician.

Both of those work well for practicing or playing for enjoyment.  This last suggestion is really for practicing rather than playing for enjoyment – you can “placeplay”.  I do this with my students (and I’m pretty sure they hate it, but it works!).  “Placeplaying” is moving through the finger shapes of the tune.  Place the first shape, then close the fingers (don’t play, just close) and place the second shape.  Remember that between these is actually another shape where the shapes overlap which is its own separate shape.  Keep going: place – close – place – close – place – close – place – etc. through to the end of the tune.  Keep placing but do not play.  I love this because you learn things about the tune while you’re doing it.  You can develop a new appreciation for the tune through this – you see shapes you missed, musical ideas you can see but not hear and you learn to think about the tune on a different level (like how although auditorily a “musical idea” is finished, on a physical level you’re actually in the middle of the idea).  This is also an excellent way to learn a new tune – because you have to break it down and really look at it.

So, there you have it – three ways to play your harp in a hotel room and not bother other guests.  Have you found other ways to coexist with other travelers?  Hope you’ll share in the comments!

Have Harpa, Will Travel!

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HARPA is touring again!  After two years of waiting we’re going to be on this side of the Atlantic in Western North Carolina! This year Harpa are Donna Bowers Bennett, Martha Geouge Hill, Therese Honey, Jen Narkevicius, and Sue Richards. We’d be delighted to have you join us for one of these concerts!

Harpa LogoOctober 15 – Ashe County Civic Center, sponsored by Ashe County Arts Council – Ticket Link

October 16 – Black Mountain Arts Center, sponsored by the Arts Center – Ticket Link

October 17 – SALT Block Auditorium in Hickory, sponsored by the Western Piedmont Symphony *

October 20 – Morning Star Lutheran Chapel in Matthews, sponsored by Morning Star Lutheran Church *

Harpa 2019 Glenfiddich Distillery

We’re excited to be coming to North Carolina this year!

If Harpa is new to you, here’s a little bit of history: Harpa is an idea, a cultural exchange tour inaugurated by Beth Kolle in 2006.  Since then, Harpa have traveled to Norway, Sweden, and Scotland.  Biennially, we have traveled with our instruments, played concerts in large cities and small towns, encouraged audience members to try the harp, and jammed with local musicians.  Over time Harpa has continued to thrive and grow and these trips provide the opportunity to learn about the places visited while demonstrating the beauty and versatility of the harp and its ability to transcend cultural differences.  We’ve met with people from all walks of life through the universal medium of music.  The musicians may change but the song remains the same!

One thing we all share is a profound love of the harp and especially of the Celtic and Scandinavian music.  The current five members of the group hail from across the United States and represent a wide range of musical backgrounds and experiences. Their love of playing together and sharing their music is a very special and unique treat for audiences everywhere.

We’ll, of course, be populating our Facebook page where you can also see a video of our last trip where we played at the Glenfiddich Distillery. 

If you’re in the area, hope you’ll come out and see us – we’d love to play for you!

 

* I’ll add ticket links when available