Blog

  • Why are you practicing?

    Sometimes, especially if our playing is primarily for our own amusement or edification, we tell ourselves that we don’t have to work as hard or accomplish as much when we practice as others do.  Nothing could be farther from the truth!

    It is essential, regardless of our level of play, that we become skilled and build effective technique.  We need to have the technical skills to elicit music from our instruments and to breathe life into that music.  Pasion without technique will give you inconstant playing.  Of course, technique without passion gives you lifeless noise (but that can be left for a different post).  And our selected audiences, be they full concert halls or the curtains and the cat, deserve the best we can deliver.

    Picture2You might have heard the chestnut that only perfect practice makes perfect – and it is true! Don’t settle for nearly good enough. Make each practice session worth your time!

    You can use tools (such as the free printable log) to guide your practice so that you get more from the time.  Include repetition in practicing.  Repeat not only the individual items but also the structure so practice is also practiced.  Practicing your practicing, just like practicing a tune or practicing tuning, will make you better and stronger in less time at each practice session.   Are you practicing your practicing?

  • Printing Clarity

    Sometimes it’s the easy stuff that is so hard to do. For instance, we know that we need to practice, but we struggle to make it onto the bench regularly.

    We know that we will have a better feel for our progress if we capture the interim steps and yet, we don’t write down the details that would help us remember what was going on or understanding what has happened while we were working.

    Picture1We have a lot of reasons that we don’t mark our progress. Many of us just don’t have a good way to capture those thoughts and notes. So I developed a free printable log that you can use to track your progress. There are places to note what you’ve done.  There is also room to write down your impressions of what is going well and what you need to continue to work on.

    There is no “right” way to use this log – the point is to use it for your own growth. You can also use it during your lesson to assure you remember what you wanted to work on while you meet with your teacher or coach. It includes those things that I have found are good prompts for staying focused.

    Click on the link to download your free copy of the Practice Log printable.  Give it a try and let me know if printing this brings you clarity – if it works for you!

  • Looking ahead – mid-summer

    The Somerset Folk Harp Festival, now in its 15th year, continues to be an excellent workshop – well worth your time! It is four days of tons of things to learn, see, do, and hear.

    PrintAnd this year is an excellent opportunity for those of us who favor Celtic music. The moon and the stars just happened to align this year and there are three top harpers coming directly from Ireland: Grainne Hambly, Janet Harbison, and Kathleen Loughnane – wow!  In addition, the Lifetime Achievement Award will be presented to William Jackson on Thursday night.  Billy has been one of many people’s earliest harp influence and he’s definitely been a Scottish music influence and musical icon for decades.  Celtic has always meant more than Irish and Scottish and this year Tristan LeGovic brings Brittany to the mix, delivering Breton music workshops (last year these were packed!). And don’t miss the opportunity to see Grainne & Billy performing in the very popular Celtic Kick-off on Thursday afternoon to get the festival off to a great start.

    Not big on Celtic? No problem – one of the other wonderful things about Somerset is that there is an amazing diversity of workshops available to suit all tastes and skill levels. Deborah Henson-Conant will be there delivering her energy and teaching four workshops. She will also present her own full Sunday add-on Blues Improv Immersion (wow!).  And if that’s not enough, there will also be a Listening Room where you’ll be able to see Salieu Suso from The Gambia on the African kora on Saturday – this is an amazing instrument and you should not miss the opportunity to learn more about it.

    For more information and to register go to: http://www.somersetharpfest.com. Go there soon and get the early-bird $100 discount if you sign-up by May 1! I will miss it this year (I’ll be in Scotland for the Harp the Highlands and Islands tour!) if you go, tell me what I missed!!

  • Looking ahead – shorter timeline

    I have had the opportunity to attend a number of summer harp events.  But one that I haven’t ever gotten to is the Harp Gathering Folk Harp Festival at Sauder Village in Archbold Ohio. This year the Harp Gathering runs 12 – 15 May and I will be unable to attend – again!

    But I have heard good things about it and I wanted to share that with you. I have been told that the Gathering has a nice venue and provides a good experience. It is very well organized and the scene is lovely.  The instructors are fabulous and the workshops are interesting and useful. In addition, the door prizes are great! I have heard of someone winning a harp!

    Picture3The feel of the event is broader than some of the other events in which I have participated. There are a lot of workshops and the focus includes taize to tools, practice, double strung harp and music theory. The faculty are an excellent collection including Richard Ash, Rhett Barnwell, Angi Bemiss, Christa Grix, Lynda Kuckenbrod, Diana Rowan, Cynthia Shelhart, Denise Grupp-Verbon, and Louise Trotter.

    The Heritage Inn looks like a very interesting and comfortable accommodation and Sauder Village is an additional attraction for those coming from farther afield. There is so much to be learned in a tightly packed schedule. And how can you not look forward to an event with this great tag line:

    Inspire your mind. Challenge your skill, and Renew your skill.

    Are you going to the Harp Gathering? Tell us about it!

  • Looking ahead more

    OSAS has been a cornerstone of my development as a harper and I cannot encourage you enough to come and study.

    The week long course gives students the opportunity to learn in a concentrated session from six instructors who are known for their performing and for their teaching.

    Photos from last year, filched from the OSAS website - you'll know you're in the right place when you see them!
    Photos from last year, filched from the OSAS website – you’ll know you’re in the right place when you see them!

    Teachers present repertoire-building tunes to students at all levels of accomplishment. You will learn Scottish dance music, airs, songs, and will focus on ornamentation, Scottish style, accompaniment, and learning by ear. There are lectures, practice time, sessions and a little free time. You will meet new friends and possibly meet the those that represent the future of harp excellence in your fellow students. Classes will be available for beginners on through advanced players.

    This year we will have the incredible opportunity to study with six instructors.  We are so fortunate to be able to learn from these remarkable musicians: Wendy Stewart (amazing!), Dominique Dodge (incredible!), Therese Honey (fantastic), Charlie Heymann (astonishing!), Ann Heymann (astounding!), and of course, Sue Richards (marvelous!)!

    Held on the campus of Oberlin College (yes, the one with the Conservatory!) OSAS is the kind of fun that has many of us coming every summer that we can manage it. We learn more than we think we can hold and we have friends with whom we can enjoy playing the rep. For more info, go to http://www.ohioscottishartsschool.com/osasgeninfo.htm and follow the links to the Harp page. Hope you join us there!

  • Looking ahead –

    It’s already April – so it’s already time to be thinking about what you’d like to be doing this summer!

    There are so many activities available in the summer that planning is definitely required. You have limited resources – both time and money. In addition, there are only so many places available in these events. So, to help you plan, this month I’d like to share some of my favorites.

    First up is Harp Camp. This is our 21st year! Harp Camp is very exclusive with only 10 spots each summer. This summer it will be August 19th-21st in our lovely, idyllic setting in South Central Pennsylvania.

    Kris Snyder and I work hard to create an easily accessible, highly personalized, fun-filled, supportive environment where harp players can extend their technical skills regardless of the current level of accomplishment.

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    Kris and I have a lot of fun planning and teaching Harp Camp – you should join us!

    Harp Camp is only open to Lever harp players. We encourage participants to try new things while building an understanding of the skills necessary to reach individual performance goals.

    We have put together a format that is tailored to our identified participants. We are careful to assure you feel no frustration. While you’re learning, there’s no stuff you aren’t ready for and no waiting for people with less experience to understand what is being presented.

    Each workshop is geared toward each individual’s proficiency and comfort level. We have three days full of creativity and fun, covering diverse topics from learning to performance to improvisation. In addition, we have Creative and Directed Ensembles, games, and age appropriate activities to round out the days!

    For more information, check out the additional information here.

  • It’s what you put in

    One of the most disheartening things is when you work really hard on something and it still doesn’t come. It’s enough to make you crazy – especially if you convince yourself that it should be easy. We have all sorts of things we tell ourselves – but are we identifying the right things to improve?

    I found a quote from Eric Lindros (Hockey player for those of you who just said, “Who?!” – remember how I like to cast a wide net!), ”It’s not necessarily the amount of time you spend at practice that counts; it’s what you put into the practice.”

    How true!

    Picture2So, what do you put into your practice? Here are some things you could do to help you practice more effectively:

    1. Know what you’re doing! What is your plan? What do you need to work on? Reading? Rhythm? Fingering? Know before you sit down.
    1. Make a plan. Don’t just sit on your bench and hope for inspiration – once you know what you need to work on, plan out how you’ll work on it in this practice (of course a longer term plan will also be helpful for staying on track).
    1. Work at your own speed. Want to play that new reel at wicked speed? Do you really think you’ll be able to do that while you’re still struggling to remember what comes next? Work at a pace that allows you to think, to work through the intricacies, the hard stuff! The speed can come later.
    1. Include warm ups and exercises – these are not just drudgery. Exercises and warm ups allow you be ready to work and to develop skills and techniques that allow you to develop while working.
    1. Recognize the difference between working through and playing through. Working through is the tough work of breaking the music down so you can build it back up again.
    1. There is no one right way to practice. But you can learn a lot from teachers and other more experienced harpers – so it might be a good idea to listen!

    Put the right stuff into your practice and make it count!

  • It’s like brushing your teeth

    Practicing is a lot like brushing your teeth. It isn’t fun, but it is good for you. And it’s important to do it every day! So here are some reasons that practicing everyday is important:

    • Practicing gives you an opportunity to develop a better relationship with your harp and with your music. For at least 200 years (from the earliest credit I found, although lots of people are credited with saying it) musicians have been quoted as saying, “Miss one day of practice, I notice; miss two, the critics notice; miss three, the audience notices.” Each day of practice helps strengthen your relationship with your tools – the harp and the tunes.
    • Just like you need the repetition of brushing your teeth every day, your practice needs repetition. The repetition is a good foundation for a structured practice that allows you to focus on the work you’re doing while you’re practicing.

    Picture2

    • When you brush your teeth each day, you tend to do it the same way every time. This structure is good for your practice too. Doing your practice basically the same way each time helps to assure you do a warm up, some exercises to build technique, music you are learning, play something for fun each day so you don’t skip something or spend too much time but rather do a little of each activity of your practice each day.
    • That structure also helps you transition from the hustle-bustle of the rest of your day and settle into the good fit of your practice structure.
    • And just like brushing your teeth, your goal is to do a good job, not to be perfect. In each practice you do work and develop – you don’t get to perfect…and that’s ok. It gives you a place to start the next day.
    • Practicing every day, like brushing your teeth each day, gives you a consistency that you can build on, day after day.

    So, each day, before you brush your teeth, sit to your practice – it’s good for you, every day.

  • Spring has Sprung

    While it might take a little getting used to after an interminable winter, one upside to Spring is the lengthening days. All that natural light provides so many opportunities. And most of those opportunities can only help you to improve your harp playing. Here are five ways to let Spring in that just might also help you grow as a harper:

    Picture3

    • Take a walk 1 – get some sunshine. There are plenty of articles available to remind you that getting a little sun each day will improve your mood and possibly make you healthier.
    • Take a walk 2- get some exercise. There are also plenty of articles available that document the importance of getting a little exercise. Not only is it good for your heart but also your posture, and your mood. All you need, according to the popular press is a 30 minute walk each day (or more if you are more fit) to build strength which will allow you to sit at your harp longer and more comforably.
    • Breathe – all winter you have been inside in heated rooms. Go outside and breath some fresh air!
    • Open a window (or at least the curtain) – natural light is more available as the days get longer each day and is a welcome change from all those winter light bulbs! Longer days also mean that you feel like you have more time to practice!
    • Learn – use that extra time each day to practice a little longer, learn a new tune, prepare for a new event, get ready for summer workshops.

    Use these longer days to build your strength, stamina, and suppleness so you can play all season long!

  • Spring into Competition!

    Spring is the start of competition season. If you are interested in competing, why not give one of these Scottish Harp Society of America (SHSA) sanctioned competitions a try.

    Not keen to compete? Don’t have any tunes ready to go? You should still come out – at a minimum you’ll hear some great harp music! And even more – you will meet other harp players, make new friends, see old friends, and support those who are competing. And you might even learn something at the workshops that are typically held there. And there is a whole fair as well – with pipers, games, fiddlers, fair food, and other fun!  You can’t not have fun!

    Picture2In March we have the first competition of the year. The Church Hill Irish Festival Harp Competition is held at St Patrick’s Catholic Church, 25th & E. Broad Street in Richmond, Virginia. This competition will be held 19 March. Mike Connors will be the judge and will also offer a workshop. Beth Dechent is the coordinator.  Go to www.churchhillirishfestival.com for more information. This is a lovely competition in a wonderful venue that is beautiful and has excellent acoustics!

    In April is the Southern Maryland Celtic Festival harp competition. This event is in beautiful Jefferson Paterson Park in Calvert County, MD on Saturday, 30 April.  This year’s feted country is Wales. Competitors can play tunes from any of the Celtic nations. This year’s judge is Kelly Stewart Brzozowski. She will give a workshop and a concert. I am the coordinator and you can get more information from the website http://www.cssm.org/events/festival/competitions/highland-harping/. Please buy your ticket on line through the registration button on the page.

    In May we have a new competition in Alabama. Huntsville is hosting a brand new competition, May 14th as part of the Celtic Day at Burritt on the Mountain. Details will be available soon.

    There will be other events throughout the summer and into the fall that you also won’t want to miss.  But there is a good time to be had at these early events – try out a new tune, learn something, have fun! I hope you will come out for a competition near you.