Tag Archives: Other

Putting the Ah in Ostinato

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Ostinato as meditation – you know, like in Ahhhh-stinato!

One thing I love about ostinato is its origin – it is from the Italian…for obstinate!  Which is exactly what you need to be to get this very useful element locked into your head and your fingers.  An ostinato is a pattern that repeats and can be a repetition of pitch or of rhythm.  And while some people find them terrifying, there’s another way to look at them.

The fabulous Maeve Gilchrist is a wizard of ostinato (check out her book Rhythm and Hand Separation Exercises and Etudes Book 1).  She has worked hard to master all sorts of patterns and she is rock solid.  One of the things I love about her playing is the unexpected things she can weave over that bass pattern – and you the listener can just sit back and enjoy, buoyed and comforted by that underlying rock of sound.

Because ostinato is difficult time consuming to get solid, many people avoid it.  But it totally worth the time.  A real challenge though, is to first focus on the ostinato itself.  It is very easy to think you’ve got it when it’s not quite there.  And it does take a little grit and determination – because it’s like other foundational elements – it has a hard slog in the middle where you feel stuck.  But you will get there if you keep at it. 

Nope, I’m not going to tell you it’s worth the time because it’s useful or builds strong finger or hones your rhythm (although it does).

Ostinato is a great tool, once nailed down, to check out.

What?!?!?

Yup, think of it as a meditative thing.  Once you have got the basic idea inculcated, you don’t really need to watch the pot (so to speak).  And that frees up space capacity in your brain so you can do one of a couple of other things:

  1. Just rock the ostinato and let your mind wander around.  Make it a meditation.  Really.
  2. What might be cool if you put that pattern with it?  Where would you go?  How might you get there?  This could lead to noodling and eventually to a great improv, some really useful vamp or an entirely new composition (which you could also do by looking at great art, a la last week’s post).
  3. Once you have the pattern down, you can mess around with the pattern itself – see where that leads.  You might find more cool stuff down that rabbit hole. 

Start with an easy pattern – maybe an Alberti bass or find a pattern from an technique book), jut to get the idea.  Keep working it.  Maybe think about it as you noodle on the 4 week challenge we set last week.  How might you noodle over that pattern?  Give it some time and you’ll see how it can become hypnotic – go with it.  Let it ride, find the ahhhhh and see where you end up.

And let me know where you end up in the comments below!

It’s “Make Your Dreams Come True” Day – don’t waste it!

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Today is “Make Your Dreams Come True” Day.  Wow! 

Ok, first, who knew?!?  Second, how cool is that?  A whole day dedicated to that thing everyone always says they want.  Third, I could not make this up!

Which begs the question – how will you observe this auspicious day?  Because, hey, it says right on the calendar that this is the day.  And it only comes once a year.  I didn’t set to to go on about development again, but hey – you might as well use this day as intended.

Make your dream come true dayOf course, to make your dreams come true, you have to know what your dreams are.  I have found though, that when I ask people what their dreams are, the answers are often empty unsatisfying nonexistent.  That is, either I get a (clearly) ridiculous answer (“my dream is to be the Queen of Siberia” – duh, not a country, and no monarch, and no pathway!)  or the more likely response which is…no answer at all.

That’s horrifying to me.  No dream?  Not “I’d rather not say” or “I don’t want to tell you, you’ll think it’s silly”.  Just a blank stare.  Ouch!

I hope you have a dream for your harp life.  A desire (secret or not) for yourself and your harp.  If you don’t, don’t despair – you can make one.  Today is not too late.

Having a dream will help keep you motivated and can help guide your growth…and by extension, your entire harp life.

Need to build a dream?  You can.  And more importantly, you can build dreams again and again.  What you dreamt of as a baby harper (as a friend of mine likes to call budding beginners) may not be what you dream of as a musician of mature harp years.  If you were a child when you began to play, you may view the landscape of your dreams differently later in your life.  If you began to play as an adult, you might have thought you needed to govern your dreams because you were starting later (BTW – don’t fall for that cop out!).

You have dreams that change.  You can have multiple dreams.  You can have evolving dreams.   They’re your dreams – make them what you need and want them to be!  But I hope you have some. 

How do you form a dream? First, you don’t force it.  Just collect some ideas. Spend a little bit of time (probably quietly and by yourself – but do it your way).  Gather your thoughts about what you dream of doing. You could sleep and actually dream of your dream.  Or make a dream board of images that express your dreams.  Or draw/paint/sculpt a representation of your dream.  Or write it out.  The point is simply to capture that dream so you can hold onto it.  You may discard this later if needed, but as your dream is forming, this will help you hold on to the wisps of it.

Your dream does not have to be enormous or grand – it just needs to be yours.

Ok, now that you have a dream, how do you move toward it?  Well, if you have captured it (as above) you might be getting some ideas.  But perhaps most importantly, you have to believe that you can actually move toward this dream. 

Note – I didn’t say achieve.  This is not another whack at goal setting in a different guise!  This is about identifying what you think would be a cool potential outcome and moving in that direction.  I dream of playing Smetana’s Vltava at the Musikverein in Vienna.  It might seem unlikely, but at least I could define a path to make that dream come true! (for instance, I could start by learning Vltava!)

Define what about the dream is the “dream” part and what is the “work” part.  You can definitely do the work part.  You might have to break it down into small, manageable, bite-sized chunks, but you can do it.  Of course, making a plan will help – otherwise, you’ll only dream but never make a dream come true.

Always keep dreaming.  When I was a pup (in harp years) my first dream was simply to not suck.  I think I can say that I got that dream.  My next dream – that I was confident would n-e-v-e-r happen – was to play on a stage with one of my harp heroes.  I got that one wrong.  Turns out the dream wasn’t to get to play with an amazing musician – it was to have that person as a close friend…and play on stage together! 

You can keep moving toward a dream and perhaps you’ll achieve it.  Whether you achieve it or simply hold on to working toward your dream, the important thing is to be enthused and to use that enthusiasm to keep on keeping on – usually with joy! 

So, Make Your Dreams Come True Day is specifically for doing just that.  I know you won’t want to waste it so, what will you do to further your dreams?  Willing to share your dream? Leave a comment below – I’m looking forward to being inspired by you!

 

Stay between the lines!

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I was driving down the highway the other day. I was going about 1000 miles, so on one particularly long, straight stretch, I started remembering when I learned to drive.

For me, one of the hardest things to learn was staying in the middle of the lane. When you start to drive, you know you need to stay in the lane – and between the lines. The lane is defined by the lines, so I looked at the lines – constantly. But you know how that goes – the more you look at the lines, the farther you are from your desired position – in the middle of the lane. The best advice (or training) I got was to look down the road – look way down the road. After I (finally) learned that, staying in the lane was so easy. Now, as an experienced driver, I don’t even see the lines close to me and keeping the vehicle in the middle of the lane is something I take for granted.  It seems that I just go where I meant to be.

The reality is, no matter how good a driver you are, you will never stay in your lane to get where you’re going if you don’t look ahead.  So, what does that have to do with playing the harp? Everything!

When you’re learning a new tune – what do you do? I don’t know about you, but when I’m having trouble getting a tune into my head, I naturally narrow my thinking down to just what comes next – what’s the next note. But this doesn’t actually help me learn the tune. It just frustrates me (thus drawing my focus away from what I’m trying to do – learn the tune). If I lift my head and keep my focus “down the road”, then I can think of the phrases (as phrases, not as a trickle of sounds). When I can hear the tune in my head, the notes that come next become so much easier to remember.

When you’re reading music, the notation (the lines and everything else) are helpful – but can be distracting. Again, sometimes just having all that ink only serves to draw your attention to the individual blops – and you lose track of where you are on the page, in the phrase, in the music. When you lose your place, your hands may not end up in the right place, or they might be going the wrong direction or be overstretched! Keeping the long view will allow you to read the music rather than focusing on the ink and better allow you to be more able to play.

When you’re playing, you have learned the tune or become familiar with the dots on the sheet. When you’re playing, you want to be “in the moment” – and that is important. But remember that music isn’t static or fixed.  Music is serial, it comes out over time – like the road!  It can’t come out all at once (although there are some composers who clearly do not agree with me on that!). So being in the moment has to include the plans for this moment, and then for the next moment, and then the following moment, and on and on until the end of the piece – as a flow. This is not contradictory, rather, you need to hold the music in your head as a piece rather than as a set of notes. Looking at the whole of the music, rather than on just it’s representation (that you learned or are reading), will help keep you on track.

When you’re performing, you really are taking all that you have learned and putting it out there in the world to share. This is more than just playing in that now. Because now, in addition to being in the moment with the music, you must also be present with the listeners. Whether there are 2 or 200 or 2000 in the audience, your focus has to be “farther down the road” to include not only the music but also the hearers and what your message to them/with them is. Here, your long view includes them, the music, and the presentation.  Keeping an eye on where you want to take them with the music, what it is you want to share, and how you mean to do that will help give you a smooth ride.

Of course, this is a simple analogy.  There are many things on the road that require attention (like stop signs, traffic, pedestrians, etc.).  And just like that, music (written or aural, practice or performance) has details (like dynamics, tempo, timbre, etc.) which enrich the ride and improve the experience.  But, just as staying between the lines becomes second nature, learning, reading, playing and performing can also become second nature so that your music grows, flourishes, and delights. And just like any journey, when staying between the lines comes naturally and effortlessly, you can enjoy the journey so much more easily. What are the lines you have a hard time not looking at? How do you stay in the lane? When you look down the road – what do you see? Leave me a comment and share how you do it!