Blog

  • Marking Time

    Well, it’s the beginning of the year and so we’re all quite mindful of time.  And as musicians, that couldn’t be more essential.

    Thelonious Monk is reported to have said something to the effect of: just because you’re not a drummer doesn’t mean that you don’t have to keep time.

    I am often struck by how many musicians don’t keep time.  They actually don’t count – they “go with the feel”.  They believe that because they aren’t drummers (or because they are playing alone) that they don’t have to be a slave to the beat and can play tunes as the spirit moves them.

    But this misses an important point about music: music is a form of communication.  Whether you’re playing for an concert hall audience or your mother, you are sharing a message.  Isn’t the message worth getting across correctly? One of the essential tools for this is time.

    Music isn’t just about the notes.  And we’ll talk later about various ways to convey those messages.  Today, let’s focus on counting and time.  If you don’t currently count, if your timing comes from the “feel”, I heartily urge you to begin…right now!

    One of the reasons many people don’t count is because it is challenging – when you’re learning a new piece, you are doing a lot of work – reading, finding the notes on your harp, learning the relationships, determining the message, trying to learn some of the tune so it will be easier to play the next time, thinking variously how much you love this piece of music (if you love it) or how much you hate this piece of music (if you’re being made to learn something that is not coming easily), breathing, thinking about your posture and your hand position, etc. 

    See, I told you there was a lot to think about – and so we often don’t bother with that pesky timing.   We want to get on to the tune, we want to play (after all, we don’t say, “I work the harp” do we!), we want to do all this quickly.  And so, we let the timing go.  But, this is one of those gotcha’s – because we never go back, we never work on the timing, we just keep pushing along…..until, eventually, the message gets lost – and so do we.

    So, the next time you sit to learn a piece (or if you’re really dedicated, the next time you sit to a piece you already know), start with the timing, work that out before you spend a great deal of time on the notes.  See how the timing is really the key and not the prison.

    Let me know how you come along – I’d love to hear it.

  • Should Auld Acquaintance be forgot…or, "There’s goal in them thar hills!"

    It’s that time of year – the beginning. 

    It is that time in which we have every intention of making and keeping resolutions to improve ourselves. But we often fail. We fail because while we have intentions, we also expect to succeed on improvisation. We hold a vague idea but we have absolutely no concrete idea how we will get to that resolution.

    And so we sit at our harps with every intention to spend more time practicing, play more, enjoy more, perform more, arrange more, learn more, master more…but how? We think we will improvise our time – that we’ll figure it out as we go. And we state our approach as simply I’ll find more time.

    But this is one instance in which improvisation will not work. To accomplish anything we have resolved, we have to have a plan. We have to perform some Goal Setting.

    I do this every year, personally and with my students. And to help make it real, we write it down. And we check on it periodically throughout the year. We monitor our progress toward our goal – mostly to see how we’re doing. And later on in the year, this monitoring is even more to see what we thought was important. What, at the beginning of the year, did we think was important that we have subsequently forgotten. This let’s us focus or resolve our resolutions – to modify our goals. Or to review them to see if they were reasonable.

    Goals don’t have to be set in stone.  They are just a way for you to remind yourself, periodically, what you resolved to do and how you set about getting there.  There is nothing special about writing them down, although this does give you a reference later on when you’re wondering why you’re bothering!  Its just an aid to remember where you’re trying to go and how you thought you might go about getting there.

    Setting goals is just like looking at a map – it helps remind you where you were trying to go, but what looks like it will work on the map is just a representation of the path – it isn’t the path itself. ..remember, it’s the journey. See you there!

    Happy New Year!

  • Happy Holidays

    It’s that time of year again.  You know the time – when all you play is music everyone knows.  Unfortunately, we only play for about a month so it doesn’t get as much practice as we might like!  Very nerve wracking!  If you make a mistake everyone will know it because they are so familiar with the tunes.  That puts a lot of pressure on you.

    But that everyone knows the music is exactly what makes this repertoire so much fun!  You can insert “jazz improvisations” (in my studio we don’t make mistakes in performance, only jazz improvisations)  into the music (planned or unplanned). But even better, this is a great opportunity for you to start to make the easy leap to generating your own arrangements. 

    If you are skittish about doing your own arrangements, you might start by staying very close to an existing arrangement (many people would consider this still their arrangement – but the important thing here is to start to flex your arranging muscles in a safe way). You could use lead sheets to let yourself go.  Or, as I noticed I was really doing this year, you can just work on those little jazz improvisations building them into your own arrangements. 

    Because, let’s face it, much of the music of the season has a tendency to be trite. If everyone plays all the same tunes in the same way in the same arrangements, how will you every stand out (and not go barking mad)? Easy – amp up your own arrangements!

    And don’t forget to note how you amp those arrangements up – you could use them again next year! 

  • Did you take the gig?

    Some of us make a living, or part of our living by playing the harp for money, as often as possible. 

    But many of us are perfectly happy playing in our living room, very quietly, when everyone else is at school or at work or asleep.  Now, I’m not saying that you must be out performing, but…

    What is holding you back? 

    Do you spend a great deal of your practice time (or other time for that matter) telling yourself you’re not good enough to perform for others?  Do you tell yourself that you’re not any good at playing “that thing”?  That you’ll never get good enough?  That you shouldn’t even bother trying to get better or even practicing?

    We all provide a running critique of our performance of all our activities, but for some reason, many people let that critique hold them back from the things they love.  Are you one of them? 

    Do you believe all the movie reviews you read?  I didn’t think so,  So why do you listen to your inner critic?  Why not listen to your familiy members, your teacher, your friends, who all tell you that you play well and they enjoy listening to you?
    You practice, you learn, you spend time with your harp…why wouldn’t you be good? (Now, if you’re one of those people who really doesn’t practice, spend the time and then go on with the rest of this post!) 
    Before the resolution season gets kicked off, vow to yourself to bend your comfort level just a bit – share your gift, your talent, your hard work.  Remember that audiences are very receptive – they appreciate that they couldn’t get up there and do that – but YOU CAN!
    Start by playing somewhere new – play for your family on Christmas day.  Take your harp out somewhere like a park and share with passers by – just share your harp with others – play your favorite tunes or  improvise.  Its not Carnegie Hall, but we don’t all want to play there.  Try it – you’ll be glad you did…and so will the people you share with!
  • To my Followers, Current and Future

    Hiya,

    First, I’d like to thank those of you who are following my blog.  I hope you find it useful.  And of course, you can always let me know if there’s a particular topic in which you’re interested. 

    If you’re visiting and like what you’ve seen, please join us and become a Follower.  Follower get a heads up when content is updated so you’ll get all the fresh info as it gets posted.

    We’ll talk about all the important stuff: travel to Scotland, growing as a harp player, and other peripheral stuff, like playing the harp while we’re in Scotland!

    Hope to see you soon!

  • Harping Healthy for the Holidays

    Well, as much as I would rather be in Scotland, playing some incredible music with friends established or newly minted, I’m home listening to the rain pelt the window whilst the wind howls. It is well and truly winter (even if it is only “meteorological winter” and we haven’t yet reached the solstice). 

    As we move toward the “Bleak Midwinter” it is natural that we’ll be playing more: people to the house will want to hear you, holiday gigs are piling up (this is my wish for each of you who are gigging), or your just practicing more because your inside more, staying cozy.

    If you are playing more (practicing, preparing, or simply playing) it is essential that you care for your hands.  On the outside, be sure to keep your skin nourished with an appropriate lotion or balm.  Caring for your skin not only feels better but also helps keep you healthy.  You’ll feel better because you prevent chapping or drying, Skin breaks or cracks are fractures in your largest organ and leave you open to infection.

     It is equally essential that you care for the inside of your hands.  Be certain to warm up each time you play.  A few gentle scales and a go at your favorite exercises for just a few moments (2 – 5 minutes) will gently warm the small muscles of your hands.  Just as you wouldn’t go out and run five miles without training or warming up, you shouldn’t sit down and play without preparing. 

    Avoid injury now and in the future by caring for your hands daily.

  • Since you were wondering

    You might think that now that I’ve done telling you all about my trip to Scotland to plan the Harp in the Highlands and Islands Tours for 2010 that I’d be done and there’s nothing else to see in the blog…

    but you’d be wrong

    There’s so much more.  I’ll update you with tidbits from my studio – tips to improve your playing, help you learn more, or just play better, updates on Scottish Harp events sponsored by Scottish Harp Society of America, and any harp related stuff that comes my way. 

    If you have a question or a topic you’d like me to address, just let me know.  And sign on as a follower, so I don’t get cyber-lonely!  If you find this blog interesting or useful, tell your friends.

    And by the way, Caol (kyle) is Scottish Gaelic for narrow (as in the narrows that boats come through)…you’ll see when we get to Skye.

  • Back to Reality

    We’ve had a full week, but it’s been wonderful – and wonder filled! I hope you’ll join us in April, May or September of 2010. For more information on the tours, please visit my website on www.jeniuscreations.com/harp_tours.php

    And I’ve gone on and on about the beautiful scenery, the interesting history, the colorful culture, but I’ve left out perhaps the most important thing. Throughout this blog you’ve gotten oblique glimpses of our expert tour guide, David. He gave me a great background in places I’d not seen before and taught me a lot about places I’d been many times, but obviously had more to learn about. He brings his delightful sense of humor, abiding love of his country and all it contains, and a sheer joy in sharing that with others who are keen to learn more and see everything! We are really fortunate to have such a great guide to show us the authentic Scotland, without a lot of kitsch, just real people, places and events. He’s planned a most excellent tour for us with just enough flexibility to allow us to make the most of the places we go, the weather we get, and the things we want to do.

    I hope you’re now keen to join us – we’re going to have a great time. The tours for 2010 will be:

    • 15 -22 April – immediately after the Edinburgh International Folk Harp Festival – a great opportunity to really immerse yourself in Scottish Harp!
    • 1 – 8 May
    • 6 – 13 September
    • 19 – 26 September

    Seats are limited, only 4 travelers per adventure. And the inclusive price includes not only high quality B&Bs but also the lend of a harp for the length of the trip as well as the harp events that are designed especially for you.

    For more information, please go to our website: www.jeniuscreations.com/Harp_Tours_of_Scotland.php 

    Hope to see you there!

  • The Royal Deeside

    This area is beautiful, partly because we go from the mountains and rivers out to the sea! We start out from Aberlour and head to Tomintoul and Cockbridge along parts of the old military road on our way to Royal Deeside – which, not surprisingly, is along the River Dee.

    The River Dee…quite pastoral, here.

    The area is called the Royal Deeside, not surprisingly, because since Queen Victoria’s time, the Royal Family have spent time here.  We took in the Bell Stane (a cool, half-buried rock with a strange history that you would not look at twice if you were to walk past it – yet it rings like a bell when you strike it with another rock). Later we saw the picturesque Corgarff Castle with its star shaped wall. 

    Corgarff Castle with its star shaped wall

    We visited the Crathie Kirk (which is the place of worship for the Royal Family when they’re in the neighborhood). From there we headed to the coast, from Portsoy and westward along the Moray Coastal Trail and visited another of Scotland’s ancient stately homes.

    Sunset and a perfect sky – a very welcome evening on the Moray Coast

    Another day so full of wonder that I kept forgetting to take pictures.  I hope you remember better when you get there!

    We ended up the day at David’s and his lovely wife Heather’s home for a dinner that can only be described as an event! Heather is a fantastic hostess and I am thrilled that she’s invited us to share traditional Scottish hospitality. This will be a meal that you’ll savor for a long time!

  • Speyside

    We saw some incredible things today. We started at Ballindalloch Castle, still lived in and beautiful! Unfortunately for me, I’m here in November and the Castle is closed, but when we come back in April, it will be open! I can’t wait to go! The pictures on the website are marvelous!

    A little further on, we came to the River Avon…and no, we weren’t lost…there are seven Rivers Avon in the UK alone! We just happened to be at the one in Strathspey…a beautiful little bridge that I guess most people don’t know to see – I tried to surf it up and didn’t see any pictures of it…and now that you’ve seen my picture, let’s keep it our little enchanted secret! And now you get a glimpse of the great tour guide we have!

    The enchanting bridge over River Avon

    We passed through Cromdale and as we happened on the “Haughs of Cromdale”, I felt another tune coming on!  We kept on our way to Carr Bridge, though. And I had to have a photo of the Carr Bridge, not only because I learned the tune very early in my harp life, but also because its not only beautiful, it has a great story that goes with its being built. But you’ll have to come with if you want to hear it!

    The Carr Bridge…in the early morning, stunning!

    From Carr Bridge we went on to the Cairngorms. The entire range are breathtaking and we actually go to the top! Not only is this the largest (read biggest) collection of high peaks in the UK, but even better – it’s just incredibly beautiful! And do you know why calling the mountain range the Cairngorms is sort of funny? David’ll tell you. And you’ll see the incredible view from the Cairngorm Funicular Railway – another astonishing (but fun) engineering feat!

    View from near the top

    And of course no visit to the Spey Valley would be complete without a visit to a distillery – to watch the water of life being born! Even if you’re not a big fan of uisge beatha (the water of life!), you’ll enjoy learning about how Scotch whiskeys are made, their history and the path a grain has to go through to become something more celebrated than breakfast cereal!