Heading to Scotland

This post will be short – I’ve packed and gotten ready and made my journey to Scotland for the Harp in the Highland and Islands Tour.  I am so excited – we have met up with our group and are out seeing the beauty that awaits.  Or maybe I’m more excited about sharing the great tunes I have planned!  Or maybe I’m really just excited to be playing in some of the incredible places we’re going – the location, the history, the music all tied up together.

We’re in Skye today – so while this week the post is short, over the next few weeks, I’ll be sharing glimpses into our travels.  Each week, I’ll post some of our activities and photos – comments, as always, are welcome!  I hope you’ll be able to join us next year! 

This is hard!

I find many parts of making music are relatively easy (that is, easier than calculating cubic roots in my head or determining the most simplistic way to present the unified field theory to a kindergartner). But less experienced musicians often express frustration and dismay over how hard it is to play the harp.

To these less experienced people, ease seems to be either a sadistic ploy to make them feel badly about their level of experience (it isn’t, I assure you – we’ve all been there at some point) or a cruel twist of fate that leaves some people finding it easy, with others finding it impossible. I will not take up the nature/nurture question vis a vis musicianship but I will tell you something that will (upon reflection) not surprise you –

That apparent ease is a result of…you guessed it…PRACTICE!

The more you practice something, the more often you perform an act, the easier it becomes. This continued, focused practice results in what is called Automatic Processing. The more you practice something, the less you have to consciously think about it to make it happen. And it comes about through practice. If you practice anything accurately you will become better at it (of course if you practice inaccurately, you will become better at doing something incorrectly!). If you practice counting, you will get more proficient at counting. If you practice reading you will become better at reading. If you practice making hand shapes and blocking, this will become second nature – it will become just the way you do it.

You have already mastered many activities and made them automatic – complex tasks like walking, jumping, writing, etc. all once required a great deal of concentration and effort but are now automatic. If you think this is not the case, I recommend you spend more time with very young children – you can watch them find behaviors and practice them. When walking is new, you don’t just wish to walk better – you walk and walk and walk, and fall down, and get up and walk some more – until you can do it all by yourself!

So, if you are working hard to play – whether it is counting, or blocking, having consistent fingering, sitting up straight, or reading – you now know that you just need more practice with those basic behaviors. Strong practice of these basic skills – making them automatic – frees up your brain to do other hard work, like learning new pieces, adding appropriate dynamics, or writing your own!

So, go practice!

Failing

We have all learned that winners are, well, winners. And obviously, everyone wants to win. Winning is one of the ways we define success – and we all want to be successful. Why wouldn’t we?

But we also know that it isn’t from winning that we learn. It is in failure that we take great lessons. That is where we begin to think faster on our feet, find out what we didn’t know before, learn the pitfalls we should avoid, determine how we should prepare next time.

This isn’t to lead you to believe that failure is good – it’s not. It is uncomfortable, embarrassing, and can be humiliating. But all those things also mean that it is very motivating! And it can really lead to making great strides. This is where you learn to innovate, be flexible, find your boundaries.

And like everything else, failure becomes easier to deal with – when you get practice. No one wants to go out and fail, but sometimes it just happens. You’re not as prepared as you should be for a performance. Or you get on stage and everything falls out of your head including well known things – like your own name. Or when you sit at your – that’s right, it’s a harp (– h-a-r-p, yes it is yours and yes, you do know how to operate it) your hands go everywhere except the strings you’re aiming for.

But these failures – the practice sessions, if you will, give you the tools you need to take the risks necessary to grow, to expand and to become more comfortable with the next time you set out – to succeed.

So, I encourage you to buck up your courage and try new things. Every piece can only be performed for an audience the first time once. After that, it’s just another piece in your repertoire! Take a chance, learn a new piece, write your own composition, develop your own arrangement, play a new style of music – take a chance.
What’s the worst that can happen? You might not perform your best?  You might bomb? You might fail – oh well, think of what you’ll learn from that! Failing – it’s the only way to get ahead!

16th Annual Harp Camp 2011 – Raising the Bar

Well, you already knew that Harp Camp was going to be fun and that everyone would learn a lot in a very short time and that we would have a good time doing it.  You were right!

Directed Ensemble is hard work!
Learning to tie a good string knot may not sound exciting but
 it is one of the most important skills a harper needs!
Reading, counting, playing all together – they are sight reading
 a new ensemble piece and bringing it alive for everyone else.

This year’s theme was “Raise the Bar” – and boy, did we!  We had a small but motivated group who worked hard, learned so much, and were just a joy to share with.  And they clearly had a good time making music with each other.  We had people who are young but experienced, older but brand new to the harp, young with some experience, older with a great deal of experience.  You know what they say – it takes all kinds!

We played music, played games, performed on multiple instruments (including a kazu chorus), and made crafts.  We had delightful catered lunches and Kasbah was a hit as usual.

And as teachers, we had a blast!  Our workshops focused on learning to read better, learning to learn by ear better, counting more complex rhythms better, improvising left hand better as well as learning about a “harp personality” and learning to really feel the beat.  These very diverse workshops were well received and fun to teach.

I hope you’ll be able to join us for the 17th Annual Harp Camp.  You’ll learn a lot, you’ll be exhausted when its over, but you’ll also be so inspired and ready to “Raise the Bar”!

Harp Camp – another great summer event

No big post today – I am getting ready to teach at Harp Camp 2012  which starts tomorrow in Southeastern Pennsylvania.  We will be having a great time teaching in our very intimate venue; working one on one with students; sharing music, technique,

approaches and interpretation; and fun!  It’s all the best parts of summer camping!  I wish you could be with us – maybe next year?  I’ll post some highlights of Harp Camp next week.  In the interim, post a comment and tell me what are you working on?

Go Play Outside!

It is definitely summer! Long days with clear skies that just beg you to come outside. And why not – it can only do you good to get a little fresh air (in the shade!).

We get so used to playing in the same room, in the same spot, in the same light. But moving around could be a big help. You might be surprised how much your perspective will change.

Just by moving outside, you’ll get a different appreciation for a lot of things about playing. You’ll learn a lot about light, sound, temperature, and space. Things you might forget to think about if you always sit in the same spot.

Of course, you’ll also get to think about mundane things like how much a harp weighs, how unwieldy a triangular object can be to carry, the challenges of remaining balanced on an imperfect lawn. But each of these things also provides opportunities to learn.

Think about the challenges of playing from your deck and the slats beneath the strings. Or a brick patio that swallows up your Cs!

You’ll start to see the seams in your playing – pieces you thought you had down might be more challenging if you’re squinting. Yes, it is hard to concentrate on the next note or phrase when you detect sweat trickling down your back…just like it does at outdoor summer weddings! It’s really hard to hear yourself when the closest surface is not just 10 feet away, especially if it is a tree not a wall. And when planes fly overhead or the neighbor kids go by screaming on their bikes, you know it will be just like the distractions you overhear wherever you play.

But you can play through all that – and give yourself a fresh perspective on your music.  And if you give your neighbors an impromptu concert – all the better for all of you.  Who knows, you might just have fun!

So, go outside to play – and see how it helps you to improve.

Somerset Folk Harp Festival

Am I going to see you at Somerset???  I sure hope so.  It promises to be a grand event – building on the previous years’ successes. 

There are so many workshops it will be hard to determine which ones to settle on.  And then there’s the vendors!  The harp tastings, seeing old friends, meeting new ones, finally putting faces to names you’ve heard – should be a good time. 

If you’re there, look for me – I hear I’m easy to find.  Please, make sure I meet you!  It runs 14 – 17 July.  See you there!

6 July OSAS Report

Each year we have an excellent experience and when it’s time to go we are certain that the next year can not possibly be better.  And each year we are wrong!

OSAS was brilliant this year – I wish you all could have been there.  We learned some great tunes – can’t wait to really get them under my belt!  Lots of time singing – and we waulked a length of cloth which we later shared as a group. 


Tiffany Lingle got this photo of Karen, Wendy and me having a great time in session

We learned some lovely tunes, including snappy pipe tunes from Jo Morrison, songs from Seamus Gagne, a fantastic air from Sue Richards. Ann Heymann introduced us to the Sterling Heads roundel and the possibilities that it contains as well as sharing the Bunworth harp replica – a stunning copy guided by history.  We had lectures on teaching and technology, fiddle history, reading Gaelic, and rhythm.

I was delighted to act as master of ceremonies for both the instructor concert and the “OSAS got Talent” variety show, as well as having the opportunity to be the counselor for the girls on the first floor!  Our harp kids are just cool people – which is always nice. 

And there were sessions, cookies, more sessions, games, knitting, singing with the weeping beech, and the practically mandatory trip to the bead store. I was too busy having a good time, soaking up music and culture and language to remember to take photos.  

There’s some wonderful photos and reminiscences in the latest Kilt and Harp which is posted at the SHSA members site, the forum – www.shsa.org/forum

And I am beyond delighted to have been invited to teach at OSAS next year.  I already have ideas and I hope I’ll see you there in 2012!

Ohio Scottish Arts School 2011

No big post today – I’m at the Ohio Scottish Arts School having my head stuffed with new tunes, seeing old friends, making new friends and playing like there’s no tomorrow.  Maybe you can come next year?

I’ll post some highlights of OSAS next week – in the mean time, give us a tune!

Last Call!

This will be the last call for the 2011 Harp in the Highlands and Islands Tour.  All the information you need can be found on  http://www.jeniuscreations.com/Harp_Tours_of_Scotland.php 

We will be visiting beautiful, amazing, and excellent places, learning and playing tunes and having a great time.  There are only a couple of seats left in 2011.  Tthe dates – 22 – 29 August – give you plenty of time to also go to the Tattoo, the International Festival, the Book Festival, the Art Festival,or  the Fringe, beforehand.  Or elect to linger and participate in the Harp Village at Cromarty Arts Trust.

 I hope you’ll be able to join us visiting incredible venues like this:

and those postcard sites like this:

For more information go to the website and to book, please send an email to jentheharper(at)gmail.com – hope you’ll be coming with us!